Showing results by narrator "Julienne Irons" in All Categories

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options. So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

As war breaks out among the colonies, a huge ship appears over the UPP mining planet Shānmén, releasing a horror that yields hideous transformations. Rescue is too far away, and the colonists’ only hope appears in the form of the vessel Righteous Fury. It carries the Jackals—an elite mix of former Colonial Marines and Royal Marines. Led by Zula Hendricks, the Jackals seek to rescue the few survivors from the depths of the planet, but have they arrived on time?

Immortality sucks. Just ask Imogen Gray: Over two-hundred thousand years old and teetering on the edge of total insanity. Strong as a shifter, faster than a vampire, Imogen's walked the earth forever, always alone, never growing, never changing. Never learning, either. Her smart mouth and quick temper get her into trouble far too often. When that happens, she gets hurt—and it can take a long time to heal from severed limbs and disembowelment. She's so tired of it all.

Reproductive Justice is a first-of-its-kind primer that provides a comprehensive yet succinct description of the field. Written by two legendary scholar-activists, Reproductive Justice introduces students to an intersectional analysis of race, class, and gender politics. Loretta J. Ross and Rickie Solinger put the lives and lived experience of women of color at the center of the book and use a human rights analysis to show how the discussion around reproductive justice differs significantly from the pro-choice/anti-abortion debates that have long dominated the headlines.

Half-angel Trinity and her bonded gargoyle protector, Zayne, have been working with demons to stop the apocalypse while avoiding falling in love. The Harbinger is coming…but who or what is it? All of humankind may fall if Trinity and Zayne can’t win the race against time as sinister forces gather.

Immortality sucks. Just ask Imogen Gray—over two hundred thousand years old and teetering on the edge of total insanity. All throughout history, she's been hunted by an ancient creature who finds her and rips her to pieces every time she dares to access her deepest powers. But Imogen always regenerates. Slowly. Painfully.

Brogan and Lula Gauge have spent a lifetime traveling Route 66, hunting the monsters that attacked them and left Brogan an earthbound spirit and Lula a near-vampire. They never wanted to catch the attention of Cupid, the god of connections and destruction. They never expected the god to want to strike a deal with them, either. Cupid's deal brought Brogan back to life, but now they owe the god a favor. They must find the spell book of the gods. A book of magic so powerful, it could destroy the world.

During the recent presidential election, "media literacy" became a buzzword that signified the threat media manipulation posed to democratic processes. Meanwhile, statistical research has shown that eight- to eighteen-year-olds pack more than eleven hours with some form of media into each day by "media multitasking." Young people are not only eager and interested to learn about and discuss the realities of media ownership, production, and distribution, they also deserve to understand differential power structures in how media influences our culture.

Imogen's on the verge of getting everything she ever wanted. The man of her dreams, a talented, smart kid who loves her, some amazing friends, she's finally safe from the ancient creature who keeps ripping her to pieces every time she tries to access her deeper powers—and she's only one step away from finding the reincarnation of her dad. Mortality is in her grasp.

A much-needed guide to this increasingly popular divination system written by a Lenormand master and teacher.

Seven years ago, Austin Dash's dangerously jealous wife, Naomi, nearly stabbed him to death, an act that landed her in prison. Freed from her influence, Austin filed for divorce and took their young son to Atlanta for a fresh start. He established his own business and met the loving, gentle-hearted Brooke. Swept up in a charmed romance, they marry and prepare to welcome a new baby into their lives. But memories of Naomi haunt Austin's nightmares . . . And now, she's back.

Seeking insights into the Gaia Force, Krysty travels with Ryan to the hidden island enclave of the Sisters of Mother Earth. While there, Ryan reaches some much-needed inner peace, while Krysty gains new insights into her connection with Gaia. But the Sisters are unprepared for a raid by an invader who can channel Earth powers with a ferocity unseen before, burning through earth witches like the Sisters and Krysty in his quest for absolute power... unless the companions can defeat him and his mercenary army.

Six short stories set in the worlds of Quincy Harker, Demon Hunter, Bubba the Monster Hunter, and The Dead Old Ladies Detective Agency from award-winning author John G. Hartness!

Imogen is on the brink of getting everything she ever wanted: love, safety, answers. Her father. Mortality. And just like that, a stranger comes to town and rips everything apart. Turns out, the darkest thing Imogen's ever had to face isn't a blood witch, or a vampire, or even a demon. It's a mundane, petty human woman.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.