Showing results by narrator "Ciaran O'Brien" in All Categories

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

From the master of tragicomedy and award-winning author of Skippy Dies: a tour de force new novel about family, fortune, and the struggle to be a good person when the world is (maybe) ending. Irresistibly funny, wise and thought-provoking, a state-of-the-nation novel about one unhappy family in the midst of meltdown.

Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of many objects, books with dust jackets, cats, rivers and Edgar Allan Poe. At age 13 there are two things he especially wants in life: to build a Perpetual Motion Machine, and to connect with his mother Noelle, who died when he was born. In his mind these things are intimately linked. And at his new school, where all else is disorientating and overwhelming, he finds two people who might just be able to help him.

Final Draft, a psychological horror, being filmed at a house deep in a forest, miles from anywhere in the wintry wilds of West Cork. Former soap-star Adele Rafferty has stepped in to replace the original actress at the very last minute. She can’t help but hope that this opportunity will be her big break—and she knows she was lucky to get it, after what happened the last time she was on a set. Something isn’t quite right about Final Draft. When the strange goings-on in the script start to happen on set too, Adele begins to fear that the real horror lies off the page.

In this fascinating new exploration of mental illness, Professor Brendan Kelly examines ‘madness’ in history and how we have responded to it over the centuries. We travel from the psychiatric institutions of modern India to scientific studies of the brain in Victorian England. We discover the beginnings of formal asylum care and witness the experimental therapies of the cavernous psychiatric hospitals of the 19th and early 20th centuries in Ireland, England, Belgium, Italy, Germany and the United States.

The ancient gods of Ireland were once worshipped throughout the land. Powerful and brave, they were unafraid to show their vulnerability, reject violence, or lean on others for support. Sadly, their stories – passed down by our ancestors – are all but forgotten. Gods Don’t Cry reawakens these gods, whose ancient tales redefine modern ideas of what it means to be a hero.