Showing results by narrator "Shaun Taylor-Corbett" in All Categories

Julie Jones has left her suffocating marriage. With her teenage daughter, Jess, she’s starting over. Their new house in Oceanside is the first step toward a new life. Even if it does come with the unexpected. The previous owners, a pastor and his wife, have left something - or rather someone - behind. Tom Dean has a bitter hatred for the father who considers him a lost cause, and for the woman who’s moved into their family’s house. The only home he’s ever known. He’s never going to leave. She thinks he’ll be gone in three days, but Tom has the perfect plan.

In the autumn of 1878, a band of Cheyenne Indians set out from Indian Territory, where they had been sent by the US government, to return to their homeland in Yellowstone country. Mari Sandoz tells the saga of their heartbreaking fifteen-hundred-mile flight.

Explore the world of Maynard Wills, PhD, professor of folklore and fan of the podcast, Video Palace. The podcast followed a man named Mark Cambria, who along with his girlfriend Tamra Wulff, investigated the origins of a series of esoteric white video tapes. Cambria went missing in pursuit of these tapes, but not before hearing whispers of an ominous figure called the Eyeless Man.

Look outward beyond the stars with six stories from bestselling visionary authors. An AI awakens to its purpose. A researcher seeds a thousand new worlds for one more chance at love. A murder rocks the crew of an interstellar ship. With a sweeping sense of wonder, these stories explore the galaxy . . . and the horizons of humanity’s potential.

Our presidents loom so large in history that we often forget they are human. Are You Prepared for the Storm of Love Making? is a collection of handwritten love letters that offers a surprising and intimate portrait of the men who occupied the White House. From George Washington to Barack Obama, these are not the presidents we see in history books. Instead, when they courted the women they wanted to marry, or seduced women outside of their marriage, they often showed a side the public did not see—playful, passionate, tender, consumed by desire.

It's 1932, and 12-year-old Cal Black and his pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a "knight of the road" with Pop, even if they're broke. But then Pop has to go to Washington, DC - some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due - and Cal can't go with him. Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is, too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma.

Bryce Andrews was raised to do no harm. The son of a pacifist and conscientious objector, he moved from Seattle to Montana to tend livestock and the land as a cowboy. For a decade, he was happy. Yet, when Andrews inherited his grandfather’s Smith & Wesson revolver, he felt the weight of the violence braided into his chosen life. Other white men who’d come before him had turned firearms like this one against wildlife, wilderness, and the Indigenous peoples who had lived in these landscapes for millennia. This was how the West was “won.”

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in anti-Blackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart.

The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent

In the 15 years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.

Don't miss this breathtaking collection of stories set in the world of the best-selling Darkest Minds trilogy: “IN TIME”, “SPARKS RISE”, and “BEYOND THE NIGHT”.

As fans of Tony Hillerman's detective novels know, he is a skilled interpreter of southwestern Indian cultures. In this book, first published in 1972, he recounts a Zuni myth first recorded a century ago by the anthropologist Frank Hamilton Cushing. Hillerman's version of the story, written to be listened to by children ten years old and up, will have equal appeal for adults with an interest in Native American culture.

Twelve-year-old Okwaho’s life has suddenly changed. While out hunting with his best friend, his friend is kidnapped by marauders from a neighboring tribe. Okwaho barely escapes back to his village where everyone lives in fear of raids and killings: The five tribes of the Iroquois have been at war with each other for far too long, and no one can even remember what it was like to live in peace. Okwaho seeks only revenge, which will just perpetuate the violence. But before he can retaliate, a visitor with a message of peace comes to him in the woods. 

This is the true story of how El Chapo built the world’s wealthiest and most powerful drug-trafficking operation, based on months’ worth of trial testimony and dozens of interviews with cartel gunmen, Mexican journalists and political figures, Chapo’s family members, and the DEA agents who brought him down.

Luther Standing Bear was seemingly everywhere in the course of his extraordinary life. He met Chief Crazy Horse on the eve of the Battle of the Little Bighorn, was enrolled in the first class at the government-run Carlisle Indian Industrial School, witnessed the Ghost Dance movement, toured the US and Europe with showman Buffalo Bill, and devoted his later years to Indian rights. His firsthand accounts of those experiences—and his reflections on Sioux culture, customs, and traditions—combine to make this narrative a landmark of Native American literature.

Edward feels ready to move in with his dad’s girlfriend and her son, Nathan. He might miss having his dad all to himself, but even if things in their new home are a little awkward, living with Nathan isn’t so bad. And Nathan is glad to have found a new guardian for Dew, the young water monster who has been Nathan's responsibility for two years. Now that Nathan is starting to lose his childhood connection to the Holy Beings, Edward will be the one to take over as Dew’s next guardian. But Edward has a lot to learn about taking care of a water monster.

An innovative work of research and reportage, We Are the Middle of Forever places Indigenous voices at the center of conversations about today’s environmental crisis. The book draws on interviews with people from different North American Indigenous cultures and communities, generations, and geographic regions who share their knowledge and experience, their questions, their observations, and their dreams of maintaining the best relationship possible to all of life.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

What if Sean Courtland’s old Chevy truck had broken down somewhere else? What if he’d never met Denise Givens, a waitress at a local tavern in the Wisconsin town where he lands? Or Dan Young, another young man like Sean drifting through, having fled Minnesota for reasons unknown? Instead, together Sean and Dan pick up carpentry and plumbing work for an old man named Marion Devereaux, and Sean gets drawn into the lives of Denise and her father—and of the townspeople, all haunted by the disappearance of three young boys decades ago, in the 1970s.

When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him. One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story - a Water Monster - in need of help.