Showing results by narrator "Lee Osorio" in All Categories

Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in a film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds.

Hawkins, Indiana-for most, it's simply another idyllic, manicured all-American town. But for Eddie Munson it's like living in a perpetual Tomb of Horrors. Luckily, he only has a few more months to survive at Hawkins High. And what is senior year, really, but just killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band? It's at the worst dive bar in town that Eddie meets Paige, someone who has pulled off a freaking miracle.

The lonely life of fifteen-year-old Theron David Alden is transformed when he meets Jake. Older, cooler, more confident and startlingly beautiful, Jake likes the same bands, the same drugs, and has the same drive to oblivion. Over the course of two decades, Theron and Jake get high, drift apart, and are brought hurtling back together, until a final collision tears them apart forever.

Edward Dinnissen leads a charmed life. He’s the Crown Prince of Canada, gets the royal treatment at his exclusive private school, and resides in a ritzy mansion. He thrives off being the perfect prince as he prepares for the Investiture Ceremony on his eighteenth birthday, the final step in his role as heir—and Canada’s future king. But this closeted crown prince has just one tiny problem: he’s unsure how to tell his parents, his beloved country, and his adoring fans that he’s gay.

Natalie Fanning already loves her newborn son, Oliver, with everything she has. From the moment he was born she knew that she was meant to be his mother, even though she didn’t want that to be all she was. When Oliver refuses to sleep, and her husband Tyler returns to work, Nat is left mostly alone in a new house, in a new neighbourhood, the task of keeping her small son healthy and happy on her shoulders alone. No one else can breastfeed Oliver; no one else will protect him like she can; no one can help her.