Mostrando resultados por autor "Ali Smith" en Todas las categorías

¿Qué une a Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, el Brexit, el presente, el pasado, un hombre de luto por los tiempos perdidos, una mujer atrapada en los tiempos modernos? La respuesta está en Primavera, una novela luminosa, generosa y llena de esperanza, en la que, al igual que en Otoño e Invierno, la autora escocesa está haciendo algo más que analizar las injusticias de nuestra época: nos ilumina el camino para salir de la pesadilla. 

Originally four lectures given by Ali Smith at Oxford University, Artful is a tidal wave of ideas in four thematically organised bursts of thought: On Time, On Form, On Edge and On Offer and On Reflection. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted - literally - by a former lover, the writer of a series of lectures about art and literature. Full of both the poignancy and humour of fiction and all the sideways insights and jaunty angles you would expect from Ali Smith’s criticism

Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms.

Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. It's the season that teaches us survival. Here comes Winter the second audiobook in Ali Smith's shape-shifting quartet of stories.

La escritora escocesa Ali Smith es una de las autoras más destacadas de los últimos años en el Reino Unido y su Cuarteto estacional, uno de los proyectos más ambiciosos e inspiradores de la literatura europea actual.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party....' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they first appear....

En el presente, Sacha sabe que el mundo está en problemas. Su hermano Robert sólo es un problema. Su madre y su padre están teniendo problemas. Mientras tanto, el mundo está en crisis, y la verdadera debacle ni siquiera ha comenzado todavía. En el pasado, un verano encantador. Un hermano y una hermana diferentes saben que están viviendo en el tiempo prestado. Esta es una historia sobre personas al borde del cambio. Son familia, pero piensan que son extraños. Entonces: ¿Dónde comienza la familia? ¿Y qué tienen en común las personas?

Why are books so powerful? What do the books we read make of us? And what does the vanishing of public libraries say about us? These stories are about what we do with books and what they do with us: how they travel with us, how they shock us, change us, challenge us, banish time while making us older, wiser and ageless all at once, how they remind us to pay attention to the world we make.

Este libro, en el que nos encontramos con algunos de sus mejores textos, contiene doce cuentos en los que el amor, la tristeza y, muy especialmente, los libros y los libreros son los protagonistas.

A teenage girl finds unexpected sexual freedom on a trip to Amsterdam. A woman trapped at a dinner party comes up against an ugly obsession. The stories in Free Love are about desire, memory, sexual ambiguity and the imagination. In the harsh light of dislocation, the people in them still find connections, words blowing in the street, love in unexpected places. Ali Smith shows how things come together and how they break apart. She disconcerts and affirms with the lightest touch, to make us love and live differently. 

The Accidental pans in on the Norfolk holiday home of the Smart family one hot summer. There a beguiling stranger called Amber appears at the door bearing all sorts of unexpected gifts, trampling over family boundaries and sending each of the Smarts scurrying from the dark into the light. A novel about the ways that seemingly chance encounters irrevocably transform our understanding of ourselves, The Accidental explores the nature of truth, the role of fate and the power of storytelling.

There's Amy, and there's Ash. There's ice, and there's fire. There's England, and there's Scotland. Ali Smith evokes the twin spirits of time and place in an extraordinarily powerful first novel, which teases out the connections between people, the attractions, the ghostly repercussions. By turns funny, haunting and disconcertingly moving, Like soars across hidden borders between cultures, countries, families, friends and lovers. Subtle and complex, it confounds expectations about fiction and truths.

Stories for people who've grown up being told time is running out - and don't want it to.... How do you ever know the whole story? How do you ever know even part of the story? How do you find meaning when chance and coincidence could, after all, just be chance and coincidence? In a celebration of connections and missed connections, an inquiry into everything from flies and trees and books to sex, art, drunkenness and love, Smith rewrites the year's cycle into a very modern calendar.

Dios había muerto: para empezar. Y el romanticismo había muerto. La gallardía había muerto. La poesía, la novela, la pintura, todas habían muerto, y el arte había muerto. El teatro y el cine habían muerto. La literatura había muerto. Muchísimas cosas habían muerto. Sin embargo, otras no habían muerto, de momento. La vida todavía no había muerto. La revolución no había muerto. La igualdad racial no había muerto. El odio no había muerto.

Why are books so very powerful? The stories in this collection are about what we do with books and what they do with us: how they travel with us and shock us, change us and challenge us, banish time while making us older, wiser and ageless all at once and how they remind us to pay attention to the world that we make. With this brilliantly inventive collection, Ali Smith joins the campaign to save our public libraries and celebrate their true place in our culture and history.

The crow crossed the sky, slow-beating her wings. Beat, beat, beat. It was night, not yet morning, and her feathers were so black that she coasted the air invisible above the city wall. Thus begins Ali Smith's retelling of Sophocles' tragedy, about a young Theban princess who decides to bury her dishonoured brother Polynices, against King Creon's express orders, with heart-breaking consequences.

A vitally alive and ever-surprising collection of stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. Individually lucid and luminous, these tales resonate subtly together. In examining the distances and connections between ourselves and others, expertly inching us closer to the bone, Ali Smith's storytelling has never seemed so necessary, so moving or so joyous.

Glyph (a signifying mark – as in ‘hieroglyph’) is the second book of the interconnected pair that began with Gliff (a Scottish/northern word for a shock, a fright, a transient moment, a glance or sudden glimpse). Glyph will tell a story which is hidden in the Gliff so the two books will belong together but can be read independently.

Following her dazzling five-novel portrait of our age, the ‘Seasonal’ sequence, Ali Smith returns with the first of two novels which belong together but can be read independently. Gliff – a Scots or Northern word for a glimpse, a shock, a glance - will not only tell its own story but also contain within it a hidden story, to be revealed only in a second novel, Glyph – from the Greek, meaning a mark, carving or symbol -- to be published a year later.