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Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Rufus Leung Gresham, future Earl of Greshambury and son of a former Hong Kong supermodel has a problem: the legendary Gresham Trust has been depleted by decades of profligate spending, and behind all the magazine covers and Instagram stories manors and yachts lies nothing more than a gargantuan mountain of debt. The only solution, put forth by Rufus’s scheming mother, is for Rufus to attend his sister’s wedding at a luxury eco-resort, a veritable who’s-who of sultans, barons, and oligarchs, and seduce a woman with money.

Award-winning novelist Taylor Brown brings to life one of the most compelling events in twentieth-century American history, reminding us of the hard-won origins of today’s unions. Rednecks is a propulsive, character-driven tale that’s both a century old and blisteringly contemporary: a story of unexpected friendship, heroism in the face of injustice, and the power of love and community against all odds.

Walt Longmire returns in this twentieth installment of the award-winning and bestselling series that has been a hit on both the page and in audio and the screen. Set in the unspoiled countryside of Wyoming, Sheriff Walt Longmire has to navigate his own increasingly complicated personal life with the ever-changing and often violent underworld that encroaches on what was once referred to as the Old West. This time, he is up against a sinister plot that could hurt the people closest to him and forever change the way he sees his beloved Wyoming.

Fifteen years after the events of the Natchez Burning trilogy, Penn Cage is alone. Nearly all his loved ones are dead, his old allies gone, and he carries a mortal secret that separates him from the world. But Penn’s exile comes to an end when a brawl at a Mississippi rap festival triggers a bloody mass shooting—one that nearly takes the life of his daughter Annie.

Luciana is the baby of her large Colombian American family. And despite usually being relegated to the sidelines, she now finds herself the voice of reason in the middle of their unexpected crisis. Her older sister, Mari, is away at college and reduced to a mere listening ear on the other end of their many phone calls, so when South Florida residents are ordered to evacuate before a hurricane, it’s up to Luciana to deal with her eccentric grandmother, Abue, who’s refusing to leave. But the storm isn’t the only danger.

A dazzling and ambitious debut novel that follows a cosmopolitan Shanghai household backward in time—beginning in 2040 and moving through our present and the recent past—exploring their secrets, their losses, and the ways a family makes and remakes itself across the years.

Jin-Lu has the most dangerous job in the wasteland. She’s a magebike courier, one of the few who venture outside the domed cities on motorcycles powered by magic. Every day, she braves the wasteland’s dangers—deadly storms, roving marauders, and territorial beasts—to deliver her wares. Her most valuable cargo? A prince’s love letters addressed to Yi-Nereen, a princess desperate to escape the clutches of her abusive family and soon-to-be husband. Jin, desperately in love with both her and the prince, can’t refuse Yi-Nereen’s plea for help.

Throughout the collection, each poem unveils a unique facet of the human experience, from the depths of self-doubt to the playful spirit of a domestic panther and the mesmerizing beauty of a teal sea. The verses intertwine to create a poetic tapestry that resonates with the intricacies of life, encouraging listeners to embrace their wild spirits and cherish the feral and free within the heart of their dwellings.

Betrayed. Murdered. Reborn. One last chance, to make it right. Theo's adventure ended with his mentor's hands around his neck. The betrayal cost him his friends, allies and everything he had built... but not his life. Though broken and powerless, Theo has one last chance to enter the Nine Worlds, wielding the knowledge and expertise of his first life. This time, he needs more than just power, he needs to unravel the deception that killed him once... and is coming for him again.

Raised by her mother and grandmother and tutored in the healing wonders of spices, Tulsi Gupta is expected to carry on the ancestral tradition from her family’s Salem spice shop. Restless and reluctant, Tulsi yearns to follow her own path—destiny has other plans. When Tulsi finds a letter written by her grandmother, addressed and never sent, that speaks of a long-ago betrayal, she decides to unravel the mystery as a distraction. But Tulsi stumbles into much more than she bargained for.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love.

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…

July 1962. Following in the tradition of Indigenous workers from Nova Scotia, a Mi’kmaq family arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.

Aging Herb’s charmed life with his dear wife, Susan, in their Key West house is coming undone. Susan now needs constant care, and Herb is in denial about his own ailing health. The one bright spot is the arrival of an endlessly optimistic manicurist calling herself Renee. She sings to Susan during manicures, gets her to paint, and brings her a sense of contentment. But then Herb and Susan’s adult children arrive to stage an intervention on their stubborn, independent father, and as a consequence, Renee’s gig with Susan—and her grand plans for her own life—start to unravel as well.

"Call me Ishmael." Thus starts the greatest American novel. Melville said himself that he wanted to write "a mighty book about a mighty theme" and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting. Woven into the story of the last journey of The Pequod is a mesh of philosophy, rumination, religion, history, and a mass of information about whaling through the ages.

When Olympia leaves her small Virginia town, she doesn’t expect to look back, much less ever come home. But after a year on the road, her sister’s engagement pulls Olympia into everything she left behind: her family, her husband, and the grief she’s been trying to forget. She’s determined to stay a few days, maybe a week—just enough time to visit gravestones and sign off on the divorce her husband, Spencer, asked for. But he’s reeling from their shared loss, as well as complications with his aging parents, leaving his heart just as fragile as Olympia’s.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Since childhood, identical twins Leona and Fiona Dunbar have been getting in—and out—of trouble by pretending to be each other. Yet underneath, they couldn’t be more different. Outspoken Leona lives to break rules, have a good time, and scandalize their respectable hometown of Lexington. Fiona is a seemingly demure churchgoing girl who is the apple of her domineering, widowed mother Mavis’s eye. But together, the twins have fooled teachers, boyfriends, bosses, racist police—and most importantly, straitlaced Mavis.