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You Never Give Me Your Money
- The Beatles After the Breakup
- Narrated by: Shaun Grindell
- Length: 14 hrs and 47 mins
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Publisher's summary
Acclaimed journalist Peter Doggett recounts the previously untold story of the dramatic final chapter in the lives, loves, and legal battles of John, Paul, George, and Ringo - a.k.a. The Beatles - from their breakup in 1969 to the present day. Called "refreshingly straightforward and highly readable" by the Daily Telegraph (London), You Never Give Me Your Money is the dramatic and intimate story of the breakup and aftermath of The Fab Four as it's never been told before.
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When Freddie Mercury died in 1991, aged just 45, the world was rocked by the vibrant and flamboyant star's tragic secret that he had been battling AIDS. That Mercury had even been diagnosed came as a shock to his millions of fans, with his announcement coming less than 24 hours before his death. In Somebody to Love, biographers Mark Langthorne and Matt Richards skilfully weave Freddie Mercury's incredible pursuit of musical greatness with Queen, his upbringing and his endless search for love with the story of a terrible disease.
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Stunning dual biography of Freddie and AIDS
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Tearing Down the Wall of Sound
- The Rise and Fall of Phil Spector
- By: Mick Brown
- Narrated by: Ray Porter
- Length: 17 hrs and 35 mins
- Unabridged
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Overall
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Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.
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Descent Into Madness
- By Chris on 06-11-12
By: Mick Brown
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John Lennon
- The Life
- By: Philip Norman
- Narrated by: Graeme Malcolm
- Length: 12 hrs and 52 mins
- Abridged
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Overall
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Performance
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Story
Philip Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the definitive portrait of John Lennon. This biography takes a fresh and penetrating look at Lennon's much-chronicled life, including the songs that have turned him, posthumously, into almost a secular saint.
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Really Bad Abridgement Job (slash job)
- By Let's Be Reasonable on 12-04-08
By: Philip Norman
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Singular Sensation
- The Triumph of Broadway
- By: Michael Riedel
- Narrated by: Shaun Taylor-Corbett
- Length: 9 hrs and 43 mins
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The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent
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Why Didn’t Michael Riedel Read This Himself?
- By Tallulah on 01-17-22
By: Michael Riedel
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The Never-Ending Present
- The Story of Gord Downie and the Tragically Hip
- By: Michael Barclay
- Narrated by: George Stroumboulopoulos
- Length: 17 hrs and 55 mins
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From our talent-rich neighbor to the north comes this biography of one of the most successful Canadian rock bands, The Tragically Hip, which announced a year-long tour after sharing the news of lead singer Gord Downie’s inoperable cancer. Now available to US listeners, The Never-Ending Present details what led up to the memorable night when music fans all over the world watched Downie’s heroic final performance.
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Hometown Heroes
- By Tommy Garou on 12-13-18
By: Michael Barclay
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Unchained
- The Eddie Van Halen Story
- By: Paul Brannigan
- Narrated by: Mike Lenz
- Length: 8 hrs and 50 mins
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From the moment their hugely influential 1978 debut landed, Van Halen set a high bar for the rock 'n' roll lifestyle, creating an entirely new style of post-'60s hard rock and becoming the quintessential rock band of the 1980s. But the high-flying success was fraught with difficulty, as Eddie struggled with alcohol and drug addiction while simultaneously battling David Lee Roth over the musical direction of the band, eventually taking the band in an entirely new direction with Sammy Hagar and scaling new heights, before that iteration of Van Halen disintegrated.
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Please don't read other audible books
- By Mike on 02-01-22
By: Paul Brannigan
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Michael Jackson, Inc.
- The Rise, Fall and Rebirth of a Billion-Dollar Empire
- By: Zack O'Malley Greenburg
- Narrated by: Kaleo Griffith
- Length: 8 hrs and 33 mins
- Unabridged
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Michael Jackson, Inc. reveals the incredible rise, fall, and rise again of Michael Jackson's fortune - driven by the unmatched perfectionism of the King of Pop. Forbes senior editor Zack O'Malley Greenburg uncovers never-before-told stories from interviews with more than 100 people, including music industry veterans Berry Gordy, John Branca, and Walter Yetnikoff; artists 50 Cent, Sheryl Crow, and Jon Bon Jovi; and members of the Jackson family.
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The King Lives...Life,Legacy and Love
- By Amazon Customer on 06-22-17
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Small Town Talk
- Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix and Friends in the Wild Years of Woodstock
- By: Barney Hoskyns
- Narrated by: Mike Chamberlain
- Length: 13 hrs and 4 mins
- Unabridged
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Story
When musicians in the New York folk scene of the 1960s grew tired of city life, they decided to "get it together in the country". They headed for Woodstock - not to the site of the infamous music festival of 1969 but to the Catskills, to Bearsville, to Woodstock proper. Counterculture revolutionaries like Janis Joplin, Richie Havens, and Paul Butterfield got "back to the land", turning the once sleepy hollow into a funky Shangri-La.
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Captured the era - too many mistakes
- By Frank Canino on 04-17-16
By: Barney Hoskyns
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The History of Rock & Roll
- Volume 1: 1920-1963
- By: Ed Ward
- Narrated by: David Colacci
- Length: 15 hrs and 32 mins
- Unabridged
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Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative - from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.
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Author's blindspots mar this book
- By Mark Clark on 03-28-17
By: Ed Ward
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Brian Jones
- The Making of the Rolling Stones
- By: Paul Trynka
- Narrated by: Steven Crossley
- Length: 12 hrs and 26 mins
- Unabridged
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Brian Jones is a forensic, thrilling account of Jones' life, which for the first time details his pioneering achievements and messy unraveling. With more than 120 new interviews, Trynka offers countless new revelations and sets straight the tall tales that have long marred Jones' legacy. His story is a gripping battle between creativity and ambition, between self-sabotage and betrayal. It's all here: the girlfriends, the drugs, and some of the greatest music of all time.
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Great story, exceptionally well narrated
- By M. Graham on 11-17-15
By: Paul Trynka
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Philip Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the definitive portrait of John Lennon. This biography takes a fresh and penetrating look at Lennon's much-chronicled life, including the songs that have turned him, posthumously, into almost a secular saint.
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Ken McNab's in-depth look at the Beatles' acrimonious final year is a detailed account of the breakup featuring the perspectives of all four band members and their roles. A must to add to the collection of Beatles fans, And in the End is full of fascinating information available for the first time. McNab reconstructs for the first time the seismic events of 1969, when the Beatles reached new highs of creativity and new lows of the internal strife that would destroy them.
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Familiar ground but a good listen
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What an achievement the Beatles made/so young,so determined,so far reaching.
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Since the age of 21, Paul McCartney has lived one of the ultimate rock 'n' roll lives, played out on the most public of stages. Now Paul's story is told by rock music's foremost biographer, with McCartney's consent and access to family members and close friends who have never spoken on the record before.
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The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.
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During 12 unforgettable months in the middle of the turbulent '60s, America saw the rise of innovative new sounds that would change popular music as we knew it. In 1965: The Most Revolutionary Year in Music, music historian Andrew Grant Jackson (Still the Greatest: The Essential Songs of The Beatles' Solo Careers) chronicles a groundbreaking year of creativity fueled by rivalries between musicians and continents, sweeping social changes, and technological breakthroughs.
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Maximum Volume: The Life of Beatles Producer George Martin
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Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career in the BBC's Classical Music department and as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road.
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Extremely informative but tiresome accents
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The Beatles from A to Zed
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brilliant
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A Book as Extraordinary as Elton
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Sound Pictures
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Sound Pictures traces the story of the Beatles' breathtaking artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside the studio, Martin toils along with manager Brian Epstein to consolidate the Beatles' fame in the face of growing sociocultural pressures, including the crisis associated with the "Beatles are more popular than Jesus" scandal. Meanwhile, he also struggles to make his way as an independent producer in the highly competitive world of mid-1960s rock 'n' roll.
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Must reading for any musician that loves Beatles l
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Life
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Now at last Keith Richards pauses to tell his story in the most anticipated autobiography in decades. And what a story! Listening obsessively to Chuck Berry and Muddy Waters records in a coldwater flat with Mick Jagger and Brian Jones, building a sound and a band out of music they loved. Finding fame and success as a bad-boy band, only to find themselves challenged by authorities everywhere....
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Ins and outs
- By Jesse on 11-07-10
By: Keith Richards, and others
What listeners say about You Never Give Me Your Money
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- wylie smith
- 12-30-23
the art and the artist are two different realities
I read many of the reviews and was disappointed, but not surprised that many felt that that Doggett's book was too harsh on the individual Beatles and/or too sour-humored. Some were surprised that Doggett, known to be a fan of the Beatles' music, could be so negative. Did they read the epilogue, particularly the end when Doggett points out that the music transcends the foibles of the music's creators. Doggett appears to have mastered the actual facts, presents them, and makes afew judgments based on overwhelming evidence. If a reader is looking for validation of his or hers unquestioned belief in their favorite Beatle, this is not the book for them. Instead it offers a chance to see how each Beatle changed as their own worlds changed from living in each other's pockets in Hamburg to separate large estates. I would bet that the PR of the Fab Four made fans see the group through rose-tinted lasses, and the lack of negativity towards some questionable behavior, skewed each Beatle's to see themselves as human beings.
I noticed some reviewers disliked that Doggett was not totally negative towards characters like Klein or Ono. Just because the music press turned these two, and scads of others, into almost fictional characters, there is no reason for Doggett to turn them into comic book villains without a trace of humanity. Everyone in the book is a human being, and everyone has their set of foibles and good points. By illustrating both sets of values for at least most of the participants, Doggettsheds light on why the interactions were so fraught with mistakes. At one point or another, each Beatle did want to regroup as the Beatles, but the Beatles were no longer the Fab Four, but a group of individuals whose desires never aligned together long enough to get together.
Like any book that I have read, I find myself questioning some of the author's statements, but I thought that this was a must read for any Beatle looking to understand why the Beatles fell apart and squabbled.
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- Bob Harper
- 05-17-20
A little too negative
This book has all the details of the accepted story of the Beatles demise and later years. The author, though, becomes increasingly negative about the band.
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1 person found this helpful
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- A. Kelley
- 01-16-22
Repetitious but interesting
This deep dive into the sad biz side of Beatles, Inc. is a mess you can't turn your head from. Stories are repeated through (why?) but overall I enjoyed and learned much. I really couldn't handle the droning narrator.
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- David Henretta
- 10-23-20
Great, Great Book
Fascinating read filled with interesting insight into the lives of each Beatle. Highly recommended!!! A+
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- Jack
- 03-29-23
A tidy envelope of happenings 1969 to 2009.
A real page turner with all the feels. The good, the bad, and the mismanaged.
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- Kevin
- 11-15-20
yeah yeah yeah
great book. narrative is well done..information is greatly appreciated.
paul and John come off not so good.
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- S. Mullins
- 06-03-20
A must read!... or listen.
It opens with the death of John Lennon and goes back to the mid 60s. From there it travels to 2008? Around there at least. It can seem boring around times cause there’s a lot of legal jargon. But it’s needed because it focuses heavily on the breakup of the beatles. But I believe it does it well cause within the legal woes lie their separate careers. And within their personal lives while they had to deal with legal separation of the beatles, they had their own sets of problems. I probably would have gotten bored if I had to read this. But the audiobook format works great. I think this book is important cause other books don’t deal with the after the Beatles journey. Unless it’s separate biographies obv. But it’s nicely done!
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- Lisa
- 02-16-23
Thorough, but sad tale of my favourite group
I never tire of learning about my favourite music group - but this book focussed on much of the negativity surrounding deep jealousies and outside interference, which made everything boil down to money … and so, for me, it was sad. The final chapter rescued the book and left me feeling hopeful.
Unfortunately, the narration was very fast and monotonous, with no vocal expression reflecting the actual events that he was reading about, with hardly any variety in tempo, tone, inflection, or volume, so it felt sadly lacking in compassion or empathy and the information he was imparting was difficult to follow.
If I didn’t love The Beatles so much, I would’ve given up, but I forced myself to listen to it in small bits over a long period of time. With a more empathetic narrator this would be an awesome book.
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- Tad Davis
- 10-02-20
Four human beings
After listening to Ken McNab’s book “And In The End”, I decided to go back and re-read Peter Doggett’s book, which covers some of the same territory. McNab’s book is more gossipy and is limited to 1969. Doggett covers the legal and business issues in more detail and devotes half the book to the Beatles’ post-1969 solo careers. What neither book does is spend much time analyzing the music, although Doggett spends a little more time in the studio than McNab. On the whole I found Doggett’s account far more satisfying than McNab’s. It digs deeper into the interpersonal dynamics, and it shows more clearly how money corrupts everything it touches.
The slow dissolution of the band is painful to hear about. Once the cat was out of the bag, buried hostilities came to the surface in the form of multiple lawsuits and mind games. Paul wrote a song called “Too Many People” that John saw as an attack on him and Yoko. If it was an attack, it was a pretty mild one. But John was incensed, and in response he wrote a song called “How Do You Sleep at Night?” that eviscerated Paul and his music in devastatingly personal terms; his bandmates fought with him during the recording session to keep the lyrics from getting even worse. Meanwhile George enjoyed the unusual position of being the bestselling solo Beatle and organized a spectacular concert to benefit Bangladesh, ravaged by a once-in-a-century cyclone. (His good fortune didn’t last, and years later, with his film company going bankrupt, he reluctantly signed on to the Beatles Anthology project because he needed the money.)
John Lennon comes off badly in this account: drug-addled, childish, sarcastic, and prone to alternating fits of sullen withdrawal and violent rage. The last time he saw his older son Julian, he reportedly cursed at him for the annoying way he laughed. Doggett refrains from direct criticism of Yoko Ono, but it’s certainly implied by the contrast between her iron control and John’s brief and sunny period with May Pang, when he completed two albums and came very close to working with Paul again. Then one night he went back to the Dakota for a talk and decided to stay, and almost immediately it seemed to his friends that the walls had once again gone up.
Paul McCartney comes off better. He certainly was a more astute businessman, investing in the rights not only to his own music but to the music of others as well (Buddy Holly’s complete catalogue, for example). He put out new albums from time to time, although his bandmates later said that he and Linda consumed so much cannabis that it took them forever to make decisions about anything. Doggett suggests that Paul himself realized that his music had fallen off during this period.
George struggled to get a fair deal with a record company, working first with A&M (who demanded a refund when he was late with an album for them) and then Warner. He became tight with Eric Idle and other members of Monty Python and helped finance some of their ventures. Ringo — or as Doggett insists on calling him, “Starkey” — made several mediocre albums and tried to match his fellow alcoholics drink for drink. Since he insisted on drinking during performances, audiences noticed his drumming becoming more erratic as concerts wore on. Eventually he and his wife entered treatment and got themselves back on track.
Once Doggett has narrated the tale of John’s gruesome murder, there are still three hours of the audiobook left — because of course, as John himself said, the dream is over, and you’ll just have to carry on. The tabloids descended. Paul broke down in the recording studio — but when he recovered, in the coming months, he demonstrated the same graceless response to criticism from colleagues, no matter how mild, that had marred his last years with the Beatles. George hired a bodyguard and a 24-hour security detail to patrol his estate; but a slipup at some point allowed a man to sneak into the house, where he stabbed George repeatedly with a kitchen knife. George was seemingly in remission from cancer, and he survived the attack, but shortly afterwards the cancer returned, and this time it killed him.
All of this is narrated by Shaun Grindell in a brisk, matter-of-fact tone. No effort is made to mimic the distinctive voices of the Beatles or the other participants. It’s a clear, detailed, and entertaining narrative, sadder than I remembered, but sad or happy, it’s one of the best books about the Beatles I’ve read, one that comes closer than most to showing them as human beings.
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- tru britty
- 04-25-20
The Beatles' Epic Divorce Story
What happened to the Beatles? What in the end made them break up--and so acrimoniously?
Peter Doggett tries to address those questions in his book You Never Give Me Your Money. It's a fitting title because not only is it taken from a song on Abbey Road, the Beatles' last album (if you don't count Let It Be, which was recorded before Abbey Road but released after), but also because John, Paul, George and Ringo's tight friendship, already teetering under the pressure of celebrity and diverging interests, ultimately fell apart over bad business decisions and money.
Suddenly being in the Beatles wasn't about music but about contract disputes and lawsuits.
The book begins with John Lennon's death in 1980 and then circles back to 1966, '67 and '68 when the Beatles were at the height of their powers, and when Brian Epstein died (leaving them without a manager), and when John met Yoko.
The pace slows down in 1969 as a lot the problems that had been bubbling under the surface burst into the open. The childhood friends divided over who'd manage the group--with John, George and Ringo on one side and Paul by his lonesome on the other. No wonder groups say being in a band is like being married. The Beatles' split is an epic divorce. And it goes on for-ev-er.
Here's how this book differs from many Beatles books: More than half of it is devoted to the Fabs' lives after the 1970 split. John's political activism and his Lost Weekend with May Pang. Paul's solo albums and forays with Wings. George's massive All Things Must Pass and the Concert for Bangladesh. Ringo's Sentimental Journey and Beaucoups of Blues.
And in between there are all those missed opportunities and could-have-beens.
One of the most poignant story threads is that of Paul and John's friendship. Paul looked up to John and always sought his approval. They danced around each other for a decade after the breakup but John was so mercurial in those years that it was hard to tell if he was saying come close or stay away. Had Paul just imagined their intense, intimate bond? John's murder meant he'd never know. Then a couple days after the tragedy, Yoko called, as if she knew the question was hanging in the air.
Interesting stuff.
I don't know that Doggett has identified THE reason the Beatles broke up. There were many reasons, and there were four individuals who hated to see this chapter of their lives end almost as much as they couldn't wait to put it behind them. Nothing lasts forever.
The narrator Shaun Grindell delivers a fine nonfiction performance. He doesn't go for dramatics or try to mimic the Beatles' voices. He's there to get the story across and he does it well.
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