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The Unnamable
- Narrated by: Sean Barrett
- Length: 5 hrs and 45 mins
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Publisher's summary
The Unnamable is the third novel in Beckett's trilogy, three remarkable prose works in which men of increasingly debilitating physical circumstances act, ponder, consider, and rage against impermanence and the human condition. The Unnamable is without doubt the most uncompromising text and it is read here in startling fashion by Sean Barrett.
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When a recently widowed woman in rural Wisconsin notices her husband’s toolbox is missing, she calls the authorities—and unwittingly starts a chain of events that will forever change her community. What begins as a disarmingly simple mystery blooms into an exploration of loss, the fragility of the environment, and what it means to connect and heal.
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We can all relate
- By Wdj on 03-21-24
By: Rebecca Gilman
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Weeds
- By: Amanda Wilkin
- Narrated by: Lesley Sharp, Adelle Leonce, Joshua James, and others
- Length: 1 hr and 29 mins
- Original Recording
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Climate activist Shirley Watts has dedicated her entire life to protecting the planet for future generations. But constantly fighting for Mother Earth has taken its toll over time, leaving her in a precarious relationship with her adult daughter, Lela. When Shirley’s latest climate stunt lands her in serious legal jeopardy, Lela reluctantly lets Shirley stay with her and her boyfriend while awaiting her upcoming trial.
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Great character development
- By Veronica on 03-24-24
By: Amanda Wilkin
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The Boar's Nest
- Sue Brewer and the Birth of Outlaw Country Music
- By: Rachel Bonds, Holly Gleason, Dub Cornett
- Narrated by: Mandy Moore, Ebon Moss-Bachrach, W. Earl Brown, and others
- Length: 3 hrs and 26 mins
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Willie Nelson, Waylon Jennings, Kris Kristofferson. Before they were household names, these budding legends called Sue’s Nashville apartment—lovingly dubbed the “Boar’s Nest”—home. Sue’s place was an intimate staging ground where a new breed of singer-songwriters—wounded souls, wayward upstarts—would spur each other on to tap into something bigger, realer.
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Best audio experience in a long time!!!
- By Amazon Customer on 03-21-24
By: Rachel Bonds, and others
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Point Nemo
- By: Jeremy Robinson
- Narrated by: R.C. Bray
- Length: 9 hrs and 31 mins
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In the heart of the South Pacific lies Point Nemo, the most desolate and remote place on Earth. At its core is a dead zone, devoid of life, where government agencies crash their obsolete satellites and space stations, confident they won't harm a soul. When the International Space Station suffers a catastrophic failure and plummets through the atmosphere, it's here that Mission Specialist Julie Rohr, an astrobiologist studying living space dust called xylem, finds herself marooned. Julie's only hope for rescue lies in the hands of her estranged father, Dr. Finn Maddern, a renowned mycologist.
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Totally original-totally feasible!
- By Lawrence Tate on 04-10-24
By: Jeremy Robinson
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What listeners say about The Unnamable
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- jdk
- 10-15-20
Breathtaking
What do you read, my lord?
Words, words, words.
The Unnamable is words. Read (or hear) them. Let them break the silence. For a time.
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Overall
- Deskspud
- 11-30-10
Amazing Trilogy
These books were so full of mad sanity it can be difficult to stay "on the bycycle." Malloy was the easiest for me; he is so hysterically original. But they become more serious as they move along; the characters voices assuming a more bitter maturity. Beckett is a world class poet and I'm out of my depth without larger insights than my own to follow but I loved the adventure and will enjoy listening to them repeatedly for years to come.
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6 people found this helpful
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- Brenda O
- 12-08-16
I can't, I must
The dialogue, be it inner or among three minds, it's captivating, best work, great narration
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- Katie Hazes
- 04-30-15
Wonderful
The narration is impeccable. Each clause considered and rendered brilliantly. Reverential, at the very least, perhaps even done with love.
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1 person found this helpful
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- JCW
- 05-05-18
The No One Who is Everyone is not You or is It?
This dramatic monologue is like nothing you can ever imagine or will ever experience again. Sean Barrett gives a stellar performance that is intriguing and absolutely wonderful, incredible, and remarkable while depicting life’s tragedies interspersed with many comical elements. The mixture of delusional insanity fluctuating with moments of lucid sanity will make you question your own sanity in listening to these rambling moments of despair. The narrator’s inner voice makes him wonder, is he really the author of his own thoughts or just a convenient vehicle of how the Silence manipulates him. Did you ever wonder where you thoughts come from or where they disappear to? If you are not steeped in German Idealism and its existential enquiries into the origins of the ego’s transcendental subjectivity, you will find this confusing and nearly impossible to follow, which may be Beckett’s intention. The challenge has been proffered here; how do you make sense out of what seems total, irrational nonsense? Life’s conundrum is in full display. I found this dramatic monologue ingenious and quite entertaining.
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- Michael McManus
- 07-25-21
The unnameable
I went on amazing and painful wonderful performance by reader ok five or so more words
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- Ben Weilbacher
- 08-31-22
Best Performance on Audible
This is the definitive way to experience a book I previously considered unadaptable. Arguably the greatest novel exploration of the raw self, with a fittingly mad yet eerily lucid performance by Barrett.
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- Erez
- 12-31-08
Best narration I have ever heard
This book is a long and disjointed monologue of some (unnamable) being, trying to determine what it/he really is. He is sometimes waiting to die, sometimes waiting to be born, always struggling with facts, sensations and language itself in the search of himself. Definitely not for everybody, but extremely funny in its way, and well worth the effort in my opinion.
But the narration here is simply astounding. Sean Barrett brings this incredibly difficult, almost inaccessible work to life in a way I never imagined possible. The same also goes for his work on "Molloy" and "Malone Dies", but this book is truly the hardest of the three, and Mr. Barrett reads it perfectly.
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20 people found this helpful
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- Barry
- 12-19-16
The Unstory
I regret not reading the first two books in the trilogy first (Molloy and Malone Dies). This book clearly pushes the limits of what can be said without reference to other people or things. Well, he does talk about other things but the effect is of being isolated outside of time and place; of being stuck without any external stimuli to respond to for all eternity. Hell. Probably. Unless it isn't. But there I go again. Absurdist seems like too frivolous a name for this genre, but I believe that is the usual classification. Whether the two prior books would have made this any more meaningful, they would at least have given a little context for this character. Read on its own, it is so unrelentingly bleak, it makes Waiting for Godot seem like a walk in the park. Back to the limits of what can be said without plot or character, Beckett is the master of this sort of thing. Just when you think there's nothing more to be said, and you're thinking you can't take any more of it, he manages to milk one more topic for his amorphous protagonist to rant about. But he knows when to stop. I can't say I was sorry when it was over, but I can't say I didn't appreciate this strange intellectual exercise either. I think there is a certain appropriateness in listening to this as opposed to reading it on paper. The protagonist is stuck listening to his own thoughts in real time. A similar phenomenon afflicts the brave listener willing to take on this audiobook. Good luck.
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3 people found this helpful
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- world music lover
- 02-17-18
Profound story, beautiful Irish voice
Third in trilogy Molloy, Malone Dies, and The Unnamable. Listen to all three in a row. Beckett's finest writing. Sean Barrett's performance is the best I've experienced on audible. Perfect reading of Beckett. What could be better?
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