New Releases

I never thought I’d find love. I spent all of high school watching others pair up, my little gay heart slowly withering in despair… until the fateful summer night that I met Tim. His meaty muscles and smoldering silver eyes already haunt my dreams. And I know for a fact that he’s lonely like me. I’ve been taking care of Tim ever since he got into an accident that was technically my fault, but the healing he needs goes so much deeper than that. I need him too. With any luck, I’ll end senior year with the man of my dreams at my side.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

When Siel unearths the bones of villagers massacred on his fiance's orders, his heart breaks. His fiance: the king. A monster and the man who saved Siel from the depth of melancholia. The man Siel loves. But some loves have to die, and Siel will kill this one. With no army, his only weapon is his secret ability to change into a fox—he's a familiar.

Atire a primeira pedra conta a história de Mariano, um adolescente trancafiado durante dez anos num manicômio, em razão de sua homossexualidade. Ao sair, seu primeiro ato é contatar a mãe que o confinou na instituição, porém o reencontro desencadeia um assassinato brutal.

The author 's confessional style shines through in this brief collection which begins with a tribute to the playwright and poet, W. B. Yeats. She describes this collection as a mosaic fashioned of many topics which contains a subliminal message: "It is my birthright to strive for an uncommon existence." And just what defines an “uncommon existence?” the author asks. "I propose that it is a life in the arts." The introduction shares insight into what makes an artist special; what drives them, and why society should honor the poets, writers, musicians, and other artists among us which ...

Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school.

As Bette approached thirty, she realized something big: she’s into women. And then she fell for Mei, who’s entirely perfect. Until, out of the blue, Mei suggests they take a break. She wants Bette to have the opportunity she missed out on in her twenties: to explore the queer dating scene, and then return certain about their future, her desires, and herself. Reluctantly, Bette sets out on a mission: date hot women and have hot casual sex, before returning to her loving girlfriend. Maybe, put that way, it doesn’t sound so bad.

In her stunning debut collection, Madeleine Cravens explores desire in all its transgressive power and wildness. Pleasure and pain are inextricable in these carefully observed poems, capturing a young woman on the threshold of adulthood as she seeks to understand herself. With a hard-edged vulnerability and singularly bold style, Cravens is unsparing about the struggle to make sense of one’s longings.

Bette loves Mei, but Bette and Mei are on a break, so Bette can catch-up on the decade of dating experiences she missed before she came out. So Bette is (reluctantly) on a dating odyssey: a quest to have lots of casual sex with lots of hot women and come back to Mei more experienced and more certain about what she wants. And now she has new friend Ruth as her queer dating guide, she can't possibly fail. It's just three months, then she'll be back with Mei. It's the perfect plan … isn't it?

Uzoamaka’s miracle baby, Obiefuna, arrives after a series of miscarriages. As a young boy, he brings luck to his family and joy to those in his orbit, from the teachers at his school to the ladies getting their hair braided at Uzoamaka’s salon. But by adolescence, Obiefuna has grown unsure of himself. After his father brings home an apprentice from a nearby village, the lightness Obiefuna feels is quickly dashed when the two are caught sharing a moment of intimacy.

Ash, dried flowers, and a drop of blood: Remy has all he needs to avenge his brother's death. Five years ago, interstellar pirate Idrian Delaciel ordered a withering - a death curse - cast on Remy's brother, costing him his life. Now, Remy is ready to return the favour. Only when he casts the withering, it also rebounds onto him. The implications are unthinkable - that Remy is fatebound to his brother's killer. The only way to slow the curse is to close the distance between them, so Remy infiltrates Idrian's criminal crew, hiding his identity as the witherer.

Wyatt and Biz, two gay guys married and living in New York, are having a baby together via surrogacy. And they’re freaking out. Not only are they about to change their whole way of life, they also can’t seem to get along at all. But time is running out: they have under a month until the baby is here. So in a desperate attempt to get their relationship back on track, the pair take a make-or-break roadtrip across America, to California, to pick up their new baby.

Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination. Giles’ visual poetics create an unusually dynamic listening experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?